CENTRAL STATE UNIVERSITY
Installation Update: Coming soon
November 15, 2017 Progress: The structure is now complete and in my studio with 3 layers and over 40 interlocking pieces. It took about 6 weeks to complete the shop drawings and make the base for the artwork. I’ve made several hundred clay tiles that were fired this week with my 2 kilns filled-to-capacity. Every tile will have to be fired at least one more time after the glazes are applied. The lettering is finished and looks spectacular. We will apply the letters with the spacing templates (you can see in the photo) once all the mosaic and clay work is complete. The antelope mask was the most fun to create. I looked at several different variations of antelope masks for texture and design reference. I am integrating some gorgeous beads a friend brought me from her recent trip to Africa. I began some of the gold leafing on the antelope and on some of the textured tile pieces. It’s looking quite elegant so far! It’s very exciting to see the colors, textures and patterns come together!
This prayer for a purposeful life is the focal point of the artwork for Central State University’s Student Center.
Gandhi’s words evoke the rhythm of song and dance and poetry. Each line begins with “your,” focusing us inward before we can take the next step. The rhythmic sequence then builds like a drumbeat to an uplifting crescendo: that we are the creators of our own destiny.
Gandhi’s words, etched in gold and silver, are framed with visual symbols and references to pay homage to the rich artistic and cultural traditions of the African heritage. The clay and glass palette evoke the mineral-rich earth colors of the land and the bold, bright colors of tribal customs. Sculpted gold Adinkra symbols accent the artwork with inspirational messages of strength, humility, courage, and cooperation.
The lower right side of the artwork is grounded at the base of the wall. The neat horizontal and vertical strips evoke patterns found in the “strip weaving” textiles of the Ewe people of Ghana, considered the most skilled weavers in Africa. The symbolic patterns woven into 24 strips of cloth are sewn together to create textiles for royalty and life ceremonies.
The orderly patterns burst forth in all directions as the artwork’s 24 strips explode to frame Gandhi’s words. The colors and patterns overlap and intersect in unexpected ways, evoking the syncopations of jazz, dance, poetry, and rap music. Perched on one of the strips is the representation of a ceremonial mask in the form of a golden antelope — so widely recognized that it was once adopted as the logo for the Smithsonian’s African Art Collection.
Mahatma Gandhi’s years in South Africa sensitized him to the suffering of others and awakened his sense of social justice. More than a century later, his legacy continues to change the world, inspiring people everywhere who have suffered oppression or enslavement. The artwork that enshrines Gandhi’s words thus celebrates both a proud and noble African heritage and an enduring faith in our power to shape our own destiny.